There is the poetry of things, of the thing in itself, the sun that irradiates from things, of their essence. Essence, that which breathes in its great innocence. The unconscious. There is the observer, the poet, the performer, the one eternally in love who wants to possess. He wishes to be poetry, so he tries to align himself to that beauty. Because it is not possible to carry it in its entirety, only in part \u2013 flowerpots for plants, cages for birds, aquariums for fish, boxes for stones and shells, jars for sand and soil, houses for cats and dogs, refrigerators for ham and baked fish, windows to view the sea and other things \u2013 the poet subject will create property to contain such beauty, to be its detainer.<\/p>\n
The years go by and he notices that none of his efforts worked. His proximity to the poetry of beauty was a mistake; in fact, he is further from it than ever. The poet did not accept the freedom of things and as a consequence did not accept his own freedom. The end of his own beauty. He is unsatisfied, so he destroys, he cannot help himself. He commits suicide with his things. Despite the fatality of this event, the poet alleges that he only did it for love. And in his suicide note, he tells us: Destroy the house, end of story. Destroy the warehouses, the fortresses, legacies, museums, walls, so that we can see the sea.<\/p>\n","protected":false},"excerpt":{"rendered":"
There is the poetry of things, of the thing in itself, the sun that irradiates from things, of their essence. Essence, that which breathes in its great innocence. The unconscious. There is the observer, the poet, the performer, the one eternally in love who wants to possess. He wishes to be poetry, so he tries […]<\/p>\n","protected":false},"featured_media":1766,"template":"","categories":[41],"class_list":["post-1963","projectos","type-projectos","status-publish","has-post-thumbnail","hentry","categories-theater"],"acf":{"subtitle":"Filipa Matta, 2019","artists":[1898],"technical_sheet":"
Artistic direction and staging: Filipa Matta\r\nDirection: Salom\u00e9 Martins\r\nCo-creation and interpretation: Beatriz Garrucho, Catarina Real, Filipa Matta, Helena Ribeiro, In\u00eas Brites and Isabel Costa\r\nScenography: Filipa Matta and Isabel Costa\r\nSound and original music: Benjamim Castanheira\r\nCostumes: Catarina Real, Filipa Matta and In\u00eas Brites\r\nMaster Seamstress: Ros\u00e1rio Balbi\r\nDramaturgical support: Leonardo Moura Mateus\r\nTechnical advice: Artur Pispalhas\r\nCameraman: Eduardo Lopes, S\u00edlvia Neves, Nuno Ferreira\r\nExecutive production: Beatriz Garrucho, Filipa Matta, Helena Ribeiro, Isabel Costa, V\u00edtor Alves Brotas\r\nProduction: ag\u00eancia 25 \/ RTP\r\nRTP Production: C\u00e9u Tavares Pinto\r\nResidences: Companhia Olga Roriz, O Espa\u00e7o do Tempo, Teatro do El\u00e9trico\r\nAcknowledgements: Airfai Ceramics, Fapor, Os Bispos, Porcel, Stephanie Barros Moreira.<\/p>","attachments":null,"video":"","gallery":null,"partners":null},"yoast_head":"\n