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Synecdoche

© Joana Linda

Synopsis

Synecdoche is a figure of speech characterized by the substitution of one term for another, whose most common form consists in taking the part for the whole and the whole for the part.

In this solo I revisit and bring together six choreographic pieces that I created and performed in collaboration with Maria Lemos, Elizabete Francisca, Filipe Pereira and Sara Anjo, between 2009 and 2020. Condensing this period of time and these choreographies, transiting from the stage to the gallery space and transforming duets into a solo experience is certainly a risky exercise. However, today, I feel that this history, which is also an ecosystem, needs to manifest itself to reveal things that I have not yet understood.

Teresa Silva

Artistic and Technical Information

Categories:

creation, performance : Teresa Silva
choreography: Teresa Silva from choreographic materials from the pieces “Um Espanto não se Espera” and “Leva a mão que eu levo o braço” co-created with Elizabete Francisca; “O que fica do que passa” and “Nova Criação” co-created with Filipe Pereira; “A vida enorme/La vie en or” co-created with Maria Lemos and “Oráculo” co-created with Sara Anjo
artistic assistance: David Marques
music: excerpt of “Prélude à l’après-midi d’un faune” by Claude Debussy; “Upper Spiral” by Rui Dâmaso; excerpt of “Heroes” by David Bowie and excerpt of “Inquietação” by José Mário Branco
costumes: António Mv, Teresa Silva, Elizabete Francisca, Filipe Pereira, Maria Lemos, Sara Anjo
studio support: Brotéria, Forum Dança, O Rumo do Fumo, Paróquia da Encarnação
promotional photographs: Teresa Silva from photographs by Bruno Simão, Cláudia Mateus, DR, Joana Linda and Joana Patita
acknowledgements: Elizabete Francisca, Filipe Pereira, Maria Lemos, Sara Anjo, António Mv, Rui Dâmaso, Eva Oddo, Vítor Alves Brotas, Janine Lages, Digo Costa and Andrea Rodella and the teams from Brotéria and Paróquia da Encarnação

  • © Joana Linda
  • © Joana Linda
  • © Joana Linda
  • © Joana Linda
  • © Joana Linda